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State Entry, 1903. Artist: Mortimer L Menpes
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State Entry, 1903. Artist: Mortimer L Menpes
State Entry, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911, at the height of the British Empire to mark the succession of an Emperor or Empress of India. From The Durbar, by Mortimer Menpes. Text by Dorothy Menpes. [Adam and Charles Black, London, 1903]
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Media ID 14993867
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Adam And Charles Adam And Charles Black Alexandra Arial View British India Camel Camels Ceremonial Crowded Delhi Delhi Durbar Dorothy Dorothy Menpes Durbar Edward Vii Elevated View Entry Imperialism King Edward Vii King Of Great Britain And Ireland Meeting Menpes Mortimer L Mortimer L Menpes Mortimer Luddington Menpes Mortimer Menpes Prince Albert Edward Prince Edward Prince Of Wales Procession Processional Queen Alexandra Rambling Royal Event Spectator Spectators State Wettin Hindoostan
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EDITORS COMMENTS
State Entry, 1903: A Majestic Display of Imperial Power in British India". This print captures the grandeur and opulence of the State Entry, also known as the Imperial Durbar, held in Delhi in 1903. The event was a significant spectacle that marked the succession of an Emperor or Empress of India during the height of the British Empire. In this bustling scene, we see a vibrant array of people from different walks of life gathering to witness this historic occasion. The crowd is filled with anticipation as they eagerly await the arrival of royalty. Spectators line up along a rambling procession route, their eyes fixed on an elevated view that offers them a sweeping vista over this magnificent event. The photograph showcases not only human participants but also animals playing a crucial role in this ceremonial display. Camels gracefully stride alongside their handlers, adding to the exotic charm and cultural richness on display. The presence of British officials amidst Indian locals highlights both colonial power dynamics and cultural exchange within British India at that time. This image serves as a testament to imperial aspirations and underscores Britain's influence over Hindoostan. Through Mortimer L Menpes' lens, we are transported back to early 20th-century Delhi—a moment frozen in time when pomp and circumstance merged with tradition and heritage. It is an extraordinary glimpse into history—an era defined by royal events such as these—where King Edward VII's reign brought together nations under one majestic umbrella.
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