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Study for the Vision of Saint Francis of Assisi Taken to Heaven in a Fiery Chariot, 1600/02. Creator: Jacopo Ligozzi
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Study for the Vision of Saint Francis of Assisi Taken to Heaven in a Fiery Chariot, 1600/02. Creator: Jacopo Ligozzi
Study for the Vision of Saint Francis of Assisi Taken to Heaven in a Fiery Chariot, 1600/02
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Media ID 36205012
© Heritage Art/Heritage Images
Ascending Ascent Assisi St Francis Of Black Chalk Brown Ink Chariot Francis Of Assisi St Francis St Giovanni Bernadone Heaven Iacopo Ligozzi Jacopo Ligozzi Lead White Ligozzi Iacopo Ligozzi Jacopo Lunette Saint Francis Saint Francis Of Assisi San Francesco Dassisi St Francis St Francis Of Assisi Studies Vision Wash Laid Paper Pen And Ink Drawing Santo
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EDITORS COMMENTS
This study for a painting titled "Study for the Vision of Saint Francis of Assisi Taken to Heaven in a Fiery Chariot," created by Jacopo Ligozzi in the early 17th century, showcases the artist's mastery of black chalk, brown ink, and brush and brown wash heightened with lead white on lunette-shaped brown laid paper squared in black chalk laid down on card. The drawing is a preparatory work for a larger lunette, likely intended for a church or other religious institution. The composition depicts the ascension of Saint Francis of Assisi, the founder of the Franciscan Order, who is shown being taken to heaven in a fiery chariot drawn by horses. The saint, dressed in the traditional Franciscan brown robe and cowl, is surrounded by a multitude of animals, symbolizing his deep connection with nature and God's creatures. The animals, rendered with intricate detail, appear to be in a state of awe and reverence as they witness the miraculous event. Jacopo Ligozzi, an Italian artist from the 16th and 17th centuries, was known for his detailed and expressive drawings, which often focused on religious themes. This study is a testament to his skill and dedication to capturing the essence of the sacred stories he portrayed. The drawing is now part of the impressive collection at the Art Institute of Chicago, where it continues to inspire and captivate audiences with its intricate details and rich history. The black and white composition, with its bold lines and contrasting textures, transports viewers to a time when art was deeply intertwined with the cultural and spiritual fabric of society. This study is a reminder of the enduring power of art to evoke emotion, provoke thought, and connect us to our shared heritage.
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