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Sture Sten Svantesson d.y. 1492-1520, and Kristina Gyllenstierna, 1494-1559, c16th century. Creator: Anon
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Sture Sten Svantesson d.y. 1492-1520, and Kristina Gyllenstierna, 1494-1559, c16th century. Creator: Anon
Sture Sten Svantesson d.y. 1492-1520, and Kristina Gyllenstierna, 1494-1559, c16th century
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Media ID 36365861
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Helmet Historic Figure Historical Person Husband Kalmar Union Lower Case Nobility Nobleman Noblewoman Regent Suit Of Armour Wife Wives Aristocrat National Museum Sweden Nationalmuseum Sweden Posture Stockholm National Museum
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This 16th century oil painting, created anonymously, showcases the regal presence of Sten Sture the Younger (Sten Svantesson Sture) and Kristina Gyllenstierna (Christina Nilsdotter Gyllenstierna). Dated back to the 16th century, this artwork is a testament to the rich heritage of Swedish history and the aristocracy. Sten Sture the Younger, born in 1492, is depicted in a grand suit of armor, his posture exuding confidence and strength. The intricate details of the armor, with its golden accents and grey undertones, highlight the craftsmanship of the time. Sture was a prominent figure in Swedish politics, serving as a regent during the Kalmar Union. Kristina Gyllenstierna, born in 1494, is shown in the painting kneeling before her husband, her elegant attire and humble posture contrasting with Sture's imposing armor. The oil painting, with its vibrant colors and fine brushstrokes, brings the historical figures to life, transporting us back to the political landscape of the 16th century. The lettering on the painting, written in lower case, adds a touch of elegance and understated sophistication to the artwork. The painting, now a part of the Nationalmuseum Sweden's collection in Stockholm, is a reminder of the rich history and heritage of Sweden and its noble past. This artwork is a must-see for anyone interested in the history of Sweden, the aristocracy, and the political landscape of the 16th century. The painting's intricate details, from the golden accents on Sture's armor to the subtle color palette, make it a true masterpiece of the 16th century.
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