Tama Kuzu, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Tama Kuzu, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

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Tama Kuzu, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Tama Kuzu, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Tama Kuzu, from the series "Pictures of No Performances (Nogaku Zue)", 1898

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Media ID 24372171

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Bennosuke Tsukioka Cross Dressing Drag Female Impersonator Hand Held Hanyu Sadanosuke Kogyo Sakamaki Kogyo Tsukioka Kohan Mask Masked Meiji Era Meiji Period Nenkyu Onnagata Oyama Sadanosuke Hanyu Sakamaki Kogyo Show Tsukioka Bennosuke Tsukioka Kogyo Colour Woodblock Print Playhouse

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EDITORS COMMENTS
This print titled "Tama Kuzu, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" by Kogyo Tsukioka transports us to the vibrant world of Japanese theater in the late 19th century. The image showcases a mesmerizing scene featuring Tama Kuzu, a renowned female impersonator or onnagata, who was known for his exceptional talent and artistry. The full-length portrait captures Tama Kuzu's graceful presence as he stands elegantly in traditional attire, donning a beautifully crafted mask that adds an air of mystery to his character. With hand gestures that exude confidence and poise, he captivates the audience with every move. Tsukioka's color woodblock print technique brings out the rich hues and intricate details of this theatrical moment. The vibrant colors transport us to another time and place, immersing us in the enchanting world of Noh theater. Through this artwork, Tsukioka pays homage to Japan's cultural heritage while also challenging societal norms by showcasing men performing traditionally female roles. This cross-dressing aspect adds an intriguing layer to the performance and highlights the fluidity of gender roles within Japanese theater. As we gaze upon this remarkable piece at the Art Institute Chicago or any other art gallery fortunate enough to house it, we are reminded of the power of artistic expression and its ability to transcend time and culture.

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