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Travel views of Cuba and Guatemala, between 1899 and 1926. Creator: Arnold Genthe

Travel views of Cuba and Guatemala, between 1899 and 1926. Creator: Arnold Genthe


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Travel views of Cuba and Guatemala, between 1899 and 1926. Creator: Arnold Genthe

Travel views of Cuba and Guatemala, between 1899 and 1926. Women and children outside a church with ornate plasterwork decoration

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Media ID 36292409

© /Heritage Images

Bare Feet Breast Feeding Breastfeeding Central America Doorway Family Life Feet Foot Guatemala Guatemalan Indigenous People Plaster Plasterwork Suckling Way In Barefoot Floral Design Floral Pattern Genthe Collection Huipil Infancy Infant


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > White-footed Mouse

> Architecture > Churches

> Architecture > Country > America

> Architecture > Religious

> Arts > Artists > G > Arnold Genthe

> North America > Cuba > Related Images

> North America > Guatemala > Related Images

> Religious Art > Religious Architecture


EDITORS COMMENTS
This photograph, titled 'Travel views of Cuba and Guatemala, between 1899 and 1926. Women and children outside a church with ornate plasterwork decoration,' is a stunning work by the renowned 20th-century photographer Arnold Genthe. The image transports us back in time to the 1900s, specifically the 1910s and 1920s, capturing the essence of two distinct Central American cultures - Cuba and Guatemala. The photograph features a group of women and children gathered outside a beautiful, ornate church. The women wear traditional clothing, with some donning the traditional huipil, a colorful, floral-patterned dress worn by indigenous women in Guatemala. The children, barefoot and clad in simple apparel, play and interact with each other, while their mothers breastfeed their infants. The church's exterior is a sight to behold, with intricate plasterwork decoration adorning the walls and a grand doorway serving as the entrance. The building exudes a sense of history and tradition, reflecting the deep-rooted Christian faith of the communities. Genthe's masterful use of nitrate negative film captures the raw beauty of the scene, from the delicate details of the women's clothing to the textures of the church's plasterwork. The photograph offers a glimpse into the daily lives of people in these countries during this era, showcasing the rich cultural heritage and the simple joys of family life.

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