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Before the Tribunal at Avignon, 1818, (1821). Artist: Thomas Rowlandson
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Before the Tribunal at Avignon, 1818, (1821). Artist: Thomas Rowlandson
Before the Tribunal at Avignon, 1818, (1821). From Journal of Sentimental Travels in the Southern Provinces of France, by Thomas Rowlandson. [Ackermann, London, 1821]
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Media ID 14997253
© The Print Collector
Ackermann Avignon Disagreeing Disagreement Discussing Discussion Paperwork Pastel Provence Alpes Cote Dazur R Ackermann Rowlandson Rudolph Rudolph Ackermann South Of France Talking Thomas Rowlandson Tribunal Vaucluse
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EDITORS COMMENTS
In this print titled "Before the Tribunal at Avignon, 1818" artist Thomas Rowlandson takes us back to a scene of intense discussion and disagreement in early 19th century France. The room is filled with men and women engaged in a lively debate, their animated gestures and expressions revealing the passion behind their words. Seated by a window, a lady holds a book while engaging in an intense conversation with a gentleman beside her. Their faces show signs of disagreement, highlighting the tension that fills the air. Other figures around them are also deeply engrossed in their own discussions, creating an atmosphere buzzing with intellectual exchange. The setting itself adds to the charm of this artwork - an interior space adorned with pastel colors and intricate details that transport us to Provence-Alpes-Côte d'Azur region. Papers scattered on tables suggest these individuals are involved in matters related to literature or perhaps even legal affairs, as hinted by the presence of the word "tribunal" in the title. Rowlandson's skillful engraving technique brings life to each character portrayed, capturing not only their physical appearance but also their personalities through subtle nuances. This print serves as both a visual delight and historical documentation of intellectual discourse during this period. As we gaze upon this remarkable piece from Rowlandson's Journal of Sentimental Travels series published by Rudolph Ackermann in London (1821), we can't help but be drawn into this world where ideas clash and minds collide.
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