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Triumph of St Thomas Aquinas over the Heretics, 1489-1491 (1870). Artist: Perrichon
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Triumph of St Thomas Aquinas over the Heretics, 1489-1491 (1870). Artist: Perrichon
Triumph of St Thomas Aquinas over the Heretics, 1489-1491 (1870). After the painting by Filippino Lippi in the collection of the Santa Maria sopra Minerva, Rome. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870
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Media ID 14950627
© The Print Collector / Heritage-Images
Aquinas Argument Confrontation Disagreeing Disagreement Dispute Dominican Filippino Filippino Lippi Florence Florentine Heresy Heretic Lippi Mantz Monk Monks Paul Paul Mantz Print Collector12 St Thomas St Thomas Aquinas Thomas Aquinas Triumph Thirteenth Century
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Triumph of St Thomas Aquinas over the Heretics, 1489-1491 (1870) - A Captivating Glimpse into Medieval Conflict and Spiritual Victory
EDITORS COMMENTS
. This print transports us back to the 15th century, offering a glimpse into a pivotal moment in religious history. The artwork depicted here is based on Filippino Lippi's renowned painting housed in the Santa Maria sopra Minerva in Rome. The image captures the essence of conflict and triumph as St Thomas Aquinas, a prominent Dominican theologian, engages in an intense theological dispute with heretics. Standing tall amidst towering medieval buildings in Florence, Italy, Aquinas embodies strength and conviction as he defends Christian doctrine against those who challenge it. The monochrome medium adds depth to this historical scene by emphasizing contrasts between light and shadow. It evokes a sense of timelessness that transcends centuries, reminding us of the enduring power of faith throughout human history. As we observe this confrontation unfold through Perrichon's engraving skillfully reproduced by E Munier for Paul Mantz's book on Italian painting masterpieces, we are reminded of the importance literature played during this era. Books were not only repositories of knowledge but also weapons used to defend truth against heresy. In this remarkable composition, Perrichon successfully captures both physical and spiritual dimensions: from architectural details that transport us to Renaissance Florence to the expressions etched on each character's face reflecting their fervent beliefs. Ultimately, "Triumph of St Thomas Aquinas over the Heretics" serves as a testament to humanity's unyielding quest for truth amid disagreement—a timeless reminder that even amidst discordance lies potential for enlightenment and spiritual victory.
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