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Vajradhara, Nairatmya, and Mahasiddhas Virupa and Kanha, c. 1450. Creator: Unknown
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Vajradhara, Nairatmya, and Mahasiddhas Virupa and Kanha, c. 1450. Creator: Unknown
Vajradhara, Nairatmya, and Mahasiddhas Virupa and Kanha, c. 1450. Mahasiddhas, or " Great Adepts, " are revered in tantric Buddhism, for they are the first human transmitters of tantric texts. Unconventional practitioners who were not part of the institutional monasticism of medieval India, the Mahasiddhas experienced extended visualizations in which an enlightened being explained new ways to reach enlightenment. The Mahasiddha Virupa, who transmitted the Hevajra Tantra, is depicted in the lower left as a brown-skinned Indian yogi seated on a black antelope skin, with a band around his waist and leg to help maintain yogic postures. He wears a delightful array of delicate flower garlands and jewels. He points to the sun, which he was able to halt in its tracks as a result of the power he developed through intense yogic and tantric practice. Above the sun is a small depiction of Hevajra with his consort Nairatmya. Above Virupa is Vajradhara, a tantric Buddha who represents the essence of all Buddhas and is the ultimate practice image for the Mahasiddhas. Nairatmya, the consort of Hevajra, is seated at the upper right, and Virupas disciple Kanha is at the lower right
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Media ID 19648045
© Heritage Art/Heritage Images
Mid 15th Century Opaque Watercolour Central Tibet
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This print showcases the profound spiritual figures of Vajradhara, Nairatmya, and Mahasiddhas Virupa and Kanha. Created around 1450 by an unknown artist, this artwork holds great significance in tantric Buddhism. The Mahasiddhas were revered as "Great Adepts" in tantric Buddhism for being the first human transmitters of tantric texts. Unlike traditional monastic practitioners, they followed unconventional paths to enlightenment through extended visualizations guided by enlightened beings. In this print, we see Mahasiddha Virupa seated on a black antelope skin with a band around his waist and leg to aid his yogic postures. Adorned with delicate flower garlands and jewels, he points towards the sun - a testament to his immense power developed through intense yogic and tantric practices. Above him is Vajradhara, representing the essence of all Buddhas and serving as the ultimate practice image for the Mahasiddhas. Nairatmya, consort of Hevajra, is depicted at the upper right while Virupa's disciple Kanha sits at the lower right corner. Together with these divine figures, this artwork captures not only their individual roles but also their interconnectedness within tantric Buddhism. Preserved by Heritage Art/Heritage Images without any commercial intent or affiliation mentioned here; this print offers viewers a glimpse into the rich tapestry of spirituality that exists within Buddhist traditions.
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