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View of the Serebryanichesky Bath Houses in Moscow, 1796. Artist: Barthe, Gerard, de la (active 1787-1810)
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View of the Serebryanichesky Bath Houses in Moscow, 1796. Artist: Barthe, Gerard, de la (active 1787-1810)
View of the Serebryanichesky Bath Houses in Moscow, 1796. Found in the collection of the State Russian Museum, St. Petersburg
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Media ID 14894130
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Banya Barthe Bath Bathhouse Bathing Bathing Place Beauty Country Side Elixir Of Life Folk Medicine French Painting Hot Spring Joie De Vivre Nude Women Russian Bath Sauna Steam Bath Thermae Tradition
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View of the Serebryanichesky Bath Houses in Moscow, 1796
EDITORS COMMENTS
is a captivating print that transports us back to the late 18th century. Painted by Gerard de la Barthe, this exquisite piece of neoclassical art captures both the beauty and health benefits associated with bathing traditions. The scene depicts a serene countryside setting along the Yauza River, where these iconic Russian bathhouses stand proudly. The artist's attention to detail allows us to witness the joyous atmosphere as nude women engage in traditional bathing rituals. Their carefree expressions and graceful movements reflect not only their appreciation for physical well-being but also their celebration of life itself. This painting serves as a testament to the therapeutic qualities of hot springs and saunas, which have been an integral part of folk medicine for centuries. It highlights how communal bathing spaces like these were not just places for cleansing but also socializing and rejuvenation. The artist's use of vibrant colors brings warmth and vitality to this idyllic scene, evoking a sense of joie de vivre. As we admire this fine artwork from the State Russian Museum in St. Petersburg, we are reminded that it is more than just an aesthetically pleasing image; it represents a cultural tradition deeply rooted in Russia's history. Through "View of the Serebryanichesky Bath Houses". Gerard de la Barthe immortalizes an essential aspect of Russian heritage while simultaneously showcasing his mastery as a French painter during this period
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