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Views of Reception Rooms in Japan - Entertainments on the Day of the Rat in the Mode... c. 1771 / 76. Creator: Utagawa Toyoharu

Views of Reception Rooms in Japan - Entertainments on the Day of the Rat in the Mode... c. 1771  /  76. Creator: Utagawa Toyoharu


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Views of Reception Rooms in Japan - Entertainments on the Day of the Rat in the Mode... c. 1771 / 76. Creator: Utagawa Toyoharu

Views of Reception Rooms in Japan - Entertainments on the Day of the Rat in the Modern Style (Uki-e wakoku keiseki ozashiki imayo ne no hi no asobi no zu), c. 1771/76

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Media ID 25325579

© Heritage Art/Heritage Images

Cartouche Hall Modern Orange Orange Colour Perspective Reception Reception Hall Toyoharu Utagawa Utagawa School Utagawa Toyoharu Color Woodblock Print Oban


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EDITORS COMMENTS
This print titled "Views of Reception Rooms in Japan - Entertainments on the Day of the Rat in the Modern Style" takes us back to 18th century Japan, specifically during the Edo period. Created by Utagawa Toyoharu, a renowned artist from the Utagawa school, this color woodblock print showcases his mastery in capturing intricate details and vibrant colors. The image transports us into an elegant reception hall where a group of men and women are gathered for entertainment. Dressed in traditional kimonos and robes, they exude grace and sophistication. The women's attire is adorned with shades of pink and rose, while the men don orange-colored garments that add a striking contrast to the scene. The perspective offered by Toyoharu allows us to appreciate not only the beautiful clothing but also the architectural beauty of Japanese interiors. The room is filled with ornate decorations such as cartouches and block printing that reflect both artistic skill and cultural significance. As we delve deeper into this artwork, we can't help but be captivated by its depiction of life during that era. It serves as a window into Japanese heritage art, offering glimpses into customs and traditions that have shaped Asian culture throughout history. Displayed at the Art Institute Chicago's gallery, this piece stands as a testament to Toyoharu's contribution to ukiyo-e (pictures of floating world) genre—a style known for depicting scenes from everyday life—and highlights his ability to transport viewers through time with his exquisite craftsmanship.

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