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Violin and newspaper, 1917

Violin and newspaper, 1917


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Violin and newspaper, 1917

Violin and newspaper, 1917. Found in the collection of Coleccion Alicia Koplowitz-Grupo Omega Capital

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Media ID 15045084

© Fine Art Images

Cubism Gris Juan 1887 1927


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Cubism

> Arts > Artists > G > Juan Gris

> Arts > Still life artwork > Cubism > Cubism paintings

> Arts > Still life artwork > Cubism > Fine art

> Arts > Still life artwork > Cubism > Life artwork

> Arts > Still life artwork > Cubism

> Arts > Still life artwork > Still life art > Cubism

> Arts > Still life artwork > Still life art > Still life paintings

> Arts > Still life artwork > Still life art

> Arts > Still life artwork


EDITORS COMMENTS
In this still life painting, created in 1917 by Spanish artist Juan Gris, we are transported to a world where the harmonious melodies of a violin intertwine with the written words of a newspaper. The composition is both intriguing and thought-provoking, as it invites us to contemplate the relationship between art and everyday life. Gris masterfully employs elements of Cubism, an avant-garde movement that revolutionized artistic expression during the early 20th century. With its fragmented forms and geometric shapes, this painting challenges our perception and encourages us to explore multiple viewpoints simultaneously. The juxtaposition of the violin and newspaper adds depth to the narrative. While the violin represents creativity, beauty, and emotional resonance through music, the presence of a newspaper hints at contemporary events unfolding outside this intimate space. It serves as a reminder that art does not exist in isolation but is deeply intertwined with society's happenings. Rendered in rich oil on canvas technique, Gris skillfully captures light and shadow to create texture and depth within each object. His meticulous attention to detail brings forth an exquisite realism while maintaining his signature cubist style. This remarkable artwork from Coleccion Alicia Koplowitz-Grupo Omega Capital collection offers viewers a glimpse into Gris' unique vision of still life painting. It stands as testament to his ability to transform ordinary objects into extraordinary subjects worthy of contemplation for generations to come.

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