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The Visitation. Creator: Carlo Maratti

The Visitation. Creator: Carlo Maratti


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The Visitation. Creator: Carlo Maratti

The Visitation. The visit of St. Mary, who was pregnant with Jesus, to St. Elizabeth, who was pregnant with John the Baptist, as recorded in the Gospel of Luke

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Media ID 20566719

© Heritage Art/Heritage Images

Carlo Carlo Maratti Elizabeth Elizabeth St Madonna And Child Maratti Maratti Carlo Mary Virgin Pregnancy Pregnant Saint Mary St Elizabeth St Mary Stella Maris Stomach The Virgin Mary Touching Virgin And Child Virgin Mother Visitation Baroque Era Mother Of God


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > M > Carlo Maratti

> Arts > Artists > W > John White

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


The Visitation - A Profound Encounter of Divine Purpose

EDITORS COMMENTS
. In this photo print, we are transported back to the 17th century, immersing ourselves in the Baroque era. The image depicts "The Visitation" a momentous event recorded in the Gospel of Luke. Carlo Maratti, an Italian artist renowned for his religious works, skillfully captures the essence of this sacred encounter between two expectant mothers. St. Mary, pregnant with Jesus Christ, visits her cousin St. Elizabeth, who carries John the Baptist within her womb. Their meeting symbolizes not only their familial bond but also signifies a profound connection between heaven and earth. Maratti's etching beautifully portrays these iconic figures - St. Mary exuding grace and humility as she gently touches St. Elizabeth's stomach; both women radiating divine light that illuminates their surroundings. This artwork is a testament to Maratti's mastery in conveying complex concepts through visual storytelling. It serves as a powerful reminder of Christianity's rich heritage and its enduring impact on people across time and country borders. As we gaze upon this remarkable portrait at The Metropolitan Museum of Art (The Met), we cannot help but be moved by the depth of emotion captured within it – from Mary's serene devotion to Elizabeth's joyous anticipation. Carlo Maratti has left us with an indelible masterpiece that transcends mere brushstrokes or ink on paper; it invites us into a spiritual realm where faith intertwines with artistry

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