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Waterfowl and Reeds, early 1200s. Creator: Liang Kai (Chinese, mid-1100s-early 1200s)
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Waterfowl and Reeds, early 1200s. Creator: Liang Kai (Chinese, mid-1100s-early 1200s)
Waterfowl and Reeds, early 1200s. This album leaf now mounted as a hanging scroll is attributed to the 13th-century artist Liang Kai, who served for a time in the Southern Song court as a court painter. In recognition of Liangs outstanding talent, the Emperor Ningzong (reigned 1195-1224) granted him the " Gold Belt, " the highest honor reserved for court painters. The artist, however, left his prestigious position in pursuit of the simple life in Buddhist monasteries. The so-called one-corner composition (leaving empty space on one side as the artist did here) was popular in both the imperial court and Buddhist monasteries. This distinctive composition allowed the artist to render a sense of depth, but also allows the viewers imagination to fill the empty space. Liang Kais abbreviated style and expressive monochromatic brushwork were often understood to embody ideals of Chan (Zen) Buddhism, and were continued by later Buddhist painters
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Media ID 19629829
© Heritage Art/Heritage Images
1127 1279 Attributed To Hanging Scroll Ink On Silk Southern Song Dynasty
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This print showcases the artwork titled "Waterfowl and Reeds, early 1200s" by Liang Kai, a renowned Chinese artist from the mid-1100s to early 1200s. Originally an album leaf, this piece has been transformed into a hanging scroll and is attributed to Liang Kai's exceptional talent as a court painter during his time in the Southern Song court. Emperor Ningzong recognized Liang's extraordinary skills and honored him with the prestigious "Gold Belt" reserved for only the most esteemed court painters. However, driven by his pursuit of a simpler life, Liang chose to leave behind his high-ranking position and immerse himself in Buddhist monasteries. The composition of this artwork follows the popular one-corner style prevalent both in imperial courts and Buddhist monasteries. By leaving empty space on one side, Liang creates a sense of depth while also allowing room for viewers' imagination to fill in the gaps. Liang Kai's distinctive artistic style features abbreviated brushwork and expressive monochromatic strokes that embody ideals of Chan (Zen) Buddhism. These characteristics have continued to influence later Buddhist painters who followed in his footsteps. This print not only captures the beauty of Liang Kai's masterpiece but also serves as a reminder of his remarkable journey from court painter to spiritual seeker within Buddhist monasteries.
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