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Weary, 1863 (1904). Artist: James Abbott McNeill Whistler
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Weary, 1863 (1904). Artist: James Abbott McNeill Whistler
Weary, 1863 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
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Media ID 14945103
© The Print Collector / Heritage-Images
Ja Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneill James Mcneill Whistler Long Hair Long Haired Menpes Mortimer L Mortimer L Menpes Mortimer Menpes Reclining Signature Tired Tiredness Tonalism Weary Whistler Work Of Art Artistic Movement Print Collector8
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Weary, 1863 (1904)
EDITORS COMMENTS
is a captivating black and white etching that showcases the artistic brilliance of James Abbott McNeill Whistler. This striking portrait, taken from Whistler As I Knew Him by Mortimer Menpes, captures the essence of exhaustion and weariness in a woman's face. The subject, with her long flowing hair cascading around her reclining figure, exudes an air of fatigue and tiredness. Her eyes are heavy-lidded, reflecting the weight of her burdens and struggles. Whistler's masterful use of tonalism adds depth to the image, emphasizing the somber mood and creating a sense of melancholy. The artist's signature can be seen at the bottom corner of this work of art—a testament to his skillful execution and attention to detail. The monochrome palette further enhances the emotional impact by stripping away distractions and focusing solely on capturing raw human emotion. This print transports us back to the 19th century when women faced numerous challenges in society. It serves as a poignant reminder that even amidst beauty there can be weariness—both physical and emotional—in our daily lives. As we gaze upon this remarkable piece by James Abbott McNeill Whistler, we are reminded not only of his immense talent but also how art has the power to evoke deep emotions within us. "Weary" stands as a timeless representation of human struggle—an enduring work that continues to resonate with audiences today.
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