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Why?, from Judge, published July 21, 1888. Creator: Bernard Gillam

Why?, from Judge, published July 21, 1888. Creator: Bernard Gillam


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Why?, from Judge, published July 21, 1888. Creator: Bernard Gillam

Why?, from Judge, published July 21, 1888

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Media ID 36211425

© Heritage Art/Heritage Images

Color Lithograph On Newsprint Cover Free Trade Immigration Judge Lower Case Overweight Social Class Speaking Talking Working Class Working Man Workman Workmen Bernard Gillam Lithotint


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EDITORS COMMENTS
Why?, a color lithograph on newsprint by Bernard Gillam, published in the July 21, 1888 issue of Judge magazine, offers a humorous and insightful commentary on the political and social climate of the late 19th century United States. The image depicts two overweight men, dressed in working class attire, engaged in a heated conversation. The man on the left, with a fat belly and a cigar in hand, represents the protectionist viewpoint, while the man on the right, also overweight but with a thinner waistline, represents the free trade perspective. The background is filled with a diverse crowd of people from various social classes, all looking on with curiosity and anticipation. The title "Why?" is written in large, bold letters at the top of the image, with the question repeated in smaller letters below. The use of lower case letters for the question adds to the conversational tone of the piece. The title and the men's speech bubbles are written in a playful, hand-drawn style that is characteristic of Gillam's caricatures. The color palette of the print is rich and vibrant, with red, blue, and green dominating the image. The use of color lithotint adds depth and texture to the print, making the people and their clothing stand out against the background. The overall effect is one of energy and movement, capturing the lively and often contentious debates that were taking place in the United States at the time. This print is a valuable addition to any collection of 19th century American art, offering a unique perspective on the political and social issues of the time. It is a testament to Gillam's skill as a caricaturist and his ability to capture the spirit of the era in a single image.

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