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A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown

A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown


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A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown

A Woman Collecting Blood from a Sheep, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Heritage Images features heritage image collections

Media ID 20565939

© Heritage Art/Heritage Images

Battista Franco Battista Franco Veneziano Blood Collecting Cut Out Cutting Dagger Enea Enea Vico Ex Antiquis Cameorum Giovanni Battista Franco Neck Philippe Philippe Thomassin Sacrifice Sacrificing Sheep Thomassin Thomassin Philippe Veneziano Veneziano Battista Franco Vico Vico Enea Blade Playing An Instrument


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Bovidae > Sheep

> Arts > Artists > F > Battista Franco

> Arts > Artists > T > Philippe Thomassin

> Arts > Artists > V > Enea Vico

> Arts > Music

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Europe > Italy > Music


EDITORS COMMENTS
This print titled "A Woman Collecting Blood from a Sheep" takes us back to the 16th century, immersing us in an intriguing scene of sacrifice and tradition. The image showcases a female figure delicately collecting blood from a sheep's neck using a blade, while a man stands nearby playing an instrument. The unknown creator skillfully captures the concept of sacrifice and its significance in this era. The woman's focused expression reflects her dedication to this ancient ritual, highlighting the deep connection between humans and animals during that time. The composition is reminiscent of Italian heritage art, with influences from artists such as Battista Franco and Enea Vico. This engraving exudes both beauty and mystery as it transports viewers to another time and place. Displayed at the Metropolitan Museum of Art, this print invites contemplation on themes like war, warfare, and country life prevalent during the 16th century. It serves as a testament to the artistic prowess of Philippe Thomassin who reproduced this work after Battista Franco. As we gaze upon this remarkable piece, we are reminded not only of our shared history but also how art can transcend time by capturing moments that continue to resonate with audiences today.

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