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Yan Qing (Roshi Ensei), from the series "One Hundred and Eight Heroes of the Popular... c. 1827 / 30. Creator: Utagawa Kuniyoshi
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Yan Qing (Roshi Ensei), from the series "One Hundred and Eight Heroes of the Popular... c. 1827 / 30. Creator: Utagawa Kuniyoshi
Yan Qing (Roshi Ensei), from the series " One Hundred and Eight Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori)", c. 1827/30
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Media ID 25325333
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Back View Cartouche Character Colourful Ichiyusai Kuniyoshi Kuniyoshi Utagawa Northern Song Northern Song Dynasty One Hundred And Eight Heroes Outlaw Rear View Skin Song Dynasty Utagawa Kuniyoshi Water Margin Wrestling Color Woodblock Print Oban
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This vibrant and captivating woodblock print, titled "Yan Qing (Roshi Ensei), from the series 'One Hundred and Eight Heroes of the Popular Water Margin'" showcases the incredible talent of Utagawa Kuniyoshi. Created during the Edo period in Japan between 1827 and 1830, this artwork is a testament to both Kuniyoshi's artistic skill and his deep appreciation for Chinese literature. The print depicts Yan Qing, a character from the popular Chinese novel "Water Margin" also known as "Suikoden". With its bold colors and intricate details, this piece truly captures the essence of Yan Qing's personality. The artist portrays him in a dynamic wrestling pose, showcasing his strength and athleticism. Kuniyoshi's mastery of woodblock printing is evident in every brushstroke. The use of vibrant blues and reds adds depth to Yan Qing's skin tone while highlighting his muscular physique. The composition cleverly places Yan Qing against a backdrop featuring a cartouche with characters that further enhance his identity within Chinese culture. As we admire this remarkable artwork, we are transported back to 19th-century Asia—a time when art served as an essential medium for storytelling across continents. This print not only pays homage to China's rich literary heritage but also serves as a testament to Japan's artistic prowess during the Tokugawa period. Displayed at the Art Institute of Chicago, this piece stands as an enduring symbol of cultural exchange between two nations—China and Japan—and reminds us of their shared love for artistry throughout history.
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