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Yui, Published in 1854. Creators: Utagawa Kunisada, Ando Hiroshige

Yui, Published in 1854. Creators: Utagawa Kunisada, Ando Hiroshige


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Yui, Published in 1854. Creators: Utagawa Kunisada, Ando Hiroshige

Yui, Published in 1854. From Double-brush 53 stages(Sohitsu gojusan tsugi), no. 17. he Sisters (Shimei) Miyagino and Shinobu

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Media ID 36360033

© Heritage Art/Heritage Images

1850s Bare Feet Cutting Feet Foot Gepparo Gototei Ichiryusai Hiroshige Ichiyosai Japanese Era Kinraisha Kochoro Kunisada Kunisada Utagawa Kunisada Utagawa I Rope Scythe Shozo Sibling Sister Teal Tools Toyokuni Iii Tsunda Shozo Utagawa Kunisada Utagawa Kunisada I Utagawa Toyokuni Iii Ando Hiroshige Ando Utagawa Hiroshige Barefoot Colour Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Posture Utagawa Hiroshige


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Brush Mouse

> Arts > Artists > A > Hiroshige Ando

> Arts > Artists > Ando Hiroshige

> Arts > Artists > H > Ando Hiroshige

> Arts > Artists > H > Utagawa Hiroshige

> Arts > Artists > K > Utagawa Kunisada

> Arts > Artists > T > Utagawa Toyokuni

> Arts > Artists > U > Hiroshige Utagawa

> Arts > Artists > U > Toyokuni Utagawa


EDITORS COMMENTS
Yui," a captivating woodblock print published in 1854, showcases the elegant beauty of two sisters, Miyagino and Shinobu, depicted by the renowned artists Utagawa Kunisada and Ando Hiroshige. This exquisite print is part of the "Fifty-Three Stages of the Tokaido Road" series, specifically the seventeenth installment, titled "Double-brush 53 Stages." The sisters are captured in a full-length, serene pose, dressed in traditional Japanese attire. Their kimonos are adorned with intricate, patterned designs, adding a vibrant pop of color to the otherwise monochromatic scene. The sisters' hair is styled in traditional Japanese fashion, cascading down their backs in soft waves. The sisters are shown kneeling on a tatami mat floor, their bare feet peeking out from under their robes. The sisters' attire, known as "gepparo," is a traditional Japanese dress worn by unmarried women. The sisters' dresses are cinched at the waist with a sash, called "kinraisha," which adds definition to their slender figures. The print is a stunning example of the Edo period's artistic heritage, showcasing the attention to detail and masterful use of color that characterizes the work of Utagawa Kunisada and Ando Hiroshige. The sisters' peaceful expression and the subtle interplay of light and shadow create a sense of tranquility and harmony. This beautiful print, now held in the Los Angeles County Museum of Art, is a testament to the enduring appeal of Japanese art and the timeless beauty of traditional Japanese clothing. The sisters' image, with their graceful poses and intricately designed garments, invites us to appreciate the rich cultural heritage of Japan during the 19th century.

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