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Leading a pig to slaughter a058914

Leading a pig to slaughter a058914


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Historic England

Wall Art and Photo Gifts from Historic England

Leading a pig to slaughter a058914

Church of St Mary, Ripple, Worcestershire. Detail of misericord depicting the slaughter of a pig, representing November

Historic England is the public body that champions and protects England's historic places

Media ID 13110473

© Historic England Archive

Decorative Medieval Sculpture Timber Wooden


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> Arts > Art Movements > Medieval Art

> Arts > Sculpture

> Europe > United Kingdom > England > Sculptures

> Europe > United Kingdom > England > Worcestershire > Related Images

> Historic England > Fine Art > Medieval Art and Sculpture > Misericords


EDITORS COMMENTS
This print captures a remarkable detail from the Church of St Mary in Ripple, Worcestershire. The intricate misericord depicted here showcases a medieval wooden sculpture that portrays the somber scene of leading a pig to slaughter, symbolizing the month of November. Crafted by the talented artist James O. Davies, this timber masterpiece stands as a testament to both artistic skill and historical significance. The image transports us back in time, offering a glimpse into an era where craftsmanship and storytelling intertwined seamlessly. The attention to detail is awe-inspiring; every curve and contour meticulously carved with precision. As we study this decorative artwork, we can almost feel the weight of history resting upon it. Beyond its aesthetic appeal, this photograph invites contemplation on themes such as life's transience and our connection with nature's cycles. It serves as a reminder that November was once associated with agricultural practices like slaughtering animals for sustenance during harsh winters. Through Historic England's lens, we are granted access to these hidden treasures that often go unnoticed amidst grand cathedrals or famous landmarks. This particular piece offers an intimate insight into rural life centuries ago—a testament to how art can encapsulate cultural traditions and preserve them for generations to come. James O. Davies' work reminds us that even within religious spaces like churches, there lies evidence of everyday existence—moments frozen in time through skilled hands and creative vision.

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