1797-1858 1855 23rd 24. 7 36 Ando Fujieda Hiroshige

Wall Art and Photo Gifts from Liszt Collection

1797-1858 1855 23rd 24. 7 36 Ando Fujieda Hiroshige

Fujieda, Andō, Hiroshige, 1797-1858, artist, [ca. 1855], 1 print : woodcut, color ; 36 x 24.7 cm. Print shows a group of pilgrims crossing a shallow river, one being carried in a sedan chair, and three borne on the backs of others, at the 23rd station on the Tōkaidō Road

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12666533

© Quint Lox Limited

1797 1858 1855 23rd Ando Backs Borne Carried Chair Crossing Group Hiroshige Pilgrims Road Sedan Shallow Shows Station Tokaido Fujieda

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EDITORS COMMENTS
. In this mesmerizing woodcut print by Ando Fujieda Hiroshige, we are transported back to the year 1855, immersing ourselves in a scene that unfolds along the historic Tōkaidō Road. The artist's masterful use of color and intricate details brings to life a group of pilgrims embarking on their spiritual quest. The print captures a pivotal moment as the pilgrims navigate across a shallow river. Our gaze is drawn towards a sedan chair gracefully carried by devoted attendants, symbolizing both luxury and reverence. Three other travelers can be seen borne upon the backs of fellow companions, showcasing their unwavering determination amidst challenging terrain. Hiroshige skillfully conveys not only the physical journey but also an emotional narrative within this snapshot. The serene expressions on each face reflect their shared purpose and devotion to faith, creating an atmosphere of tranquility despite the arduous pilgrimage. As we delve deeper into this artwork measuring 36 x 24.7 cm, it becomes evident that every stroke holds significance. Each element meticulously placed by Hiroshige invites us to contemplate our own journeys—both literal and metaphorical—and ponder what drives us forward. This remarkable print from Liszt Collection serves as a testament to Hiroshige's artistic prowess and his ability to transport viewers through time and space with his evocative imagery. Quint Lox's appreciation for this

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