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Calvary Inscribed in lower right with possibly the Hebrew letters Reish and Het

Calvary Inscribed in lower right with possibly the Hebrew letters Reish and Het


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Liszt Collection

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Calvary Inscribed in lower right with possibly the Hebrew letters Reish and Het

Calvary Inscribed in lower right with possibly the Hebrew letters Reish and Het. John Martin, 1789-1854, British

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12649006

© Quint Lox Limited

1789 1854 Armor Calvary Christianity City Crosses Dark Hebrew Horse Inscribed John John Martin Letters Light Lower Martin Meteorology Oil On Canvas Possibly Religion Skyline Spears


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EDITORS COMMENTS
In this print titled "Calvary Inscribed in lower right with possibly the Hebrew letters Reish and Het" we are transported to a scene of profound religious significance. Painted by the talented British artist John Martin between 1789 and 1854, this oil on canvas masterpiece exudes a sense of mystery and spirituality. The dark, brooding sky sets the stage for an intense moment as spears pierce through it, symbolizing both violence and sacrifice. At the center of the composition stands Calvary, adorned with crosses that represent Christ's crucifixion. The cityscape below adds a touch of realism to this otherworldly setting. A horse gallops across the horizon, its powerful presence evoking strength and determination. Its rider is clad in armor, representing faith's resilience against adversity. As beams of light break through the clouds, they illuminate not only the landscape but also our hearts with hope. What makes this artwork even more intriguing is its inscription in what appears to be Hebrew letters: Reish and Het. These symbols add an enigmatic layer to an already thought-provoking piece. John Martin's painting skillfully combines elements from meteorology, religion, and Christian iconography to create a visually stunning representation of Calvary. This print from Liszt Collection allows us to appreciate every intricate detail captured by Martin's brushstrokes while contemplating deeper spiritual themes within ourselves.

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