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Close No 65 High Street Thomas Annan Scottish

Close No 65 High Street Thomas Annan Scottish


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Close No 65 High Street Thomas Annan Scottish

Close, No. 65 High Street; Thomas Annan (Scottish, 1829 - 1887); Glasgow, Scotland; negative 1868 - 1871; print 1877; Carbon print; 27 × 23.3 cm (10 5, 8 × 9 3, 16 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18502307

© Liszt Collection

10 5 1829 1871 1887 Carbon Print Close Glasgow Negative 1868 Print 1877 Scottish Street Thomas Annan


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Thomas Annan

> Europe > United Kingdom > Scotland > Dumfries and Galloway > Annan

> Europe > United Kingdom > Scotland > Glasgow

> Europe > United Kingdom > Scotland > Posters

> Europe > United Kingdom > Scotland > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Glasgow


EDITORS COMMENTS
This photograph, titled "Close No 65 High Street" is a remarkable piece of art captured by Thomas Annan, a renowned Scottish photographer. Taken in Glasgow, Scotland between 1868 and 1871, this print showcases the talent and skill of Annan in capturing the essence of urban life during that era. The image depicts a narrow close or alleyway on High Street, offering us a glimpse into the bustling streets of Glasgow's past. The intricate details are brought to life through the use of carbon printing technique employed by Annan in 1877. The monochromatic tones add depth and texture to every corner of this composition. Measuring approximately 27 × 23.3 cm (10 5/8 × 9 3/16 inches), this print invites viewers to immerse themselves in its historical significance. It serves as a window into an era long gone but not forgotten—a testament to Annan's ability to capture both the architectural beauty and social fabric of his surroundings. As we gaze upon this photograph from Liszt Collection, we can't help but be transported back in time—imagining the footsteps that once echoed through these very streets; envisioning lives lived within these buildings now frozen in time.

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