Gari Indian Gari partially roofed vehicle pulled

Wall Art and Photo Gifts from Liszt Collection

Gari Indian Gari partially roofed vehicle pulled

Gari, Indian Gari, a partially roofed vehicle pulled by two oxen and used for an exit, Signed: P. Sonnerat pinx, Poisson sc, Pl. 7, to p. 32 (vol. 1), Sonnerat, Pierre M. (pinx.); Poisson, Jean-Baptiste Marie (sculp.), 1782, Sonnerat, Pierre: Voyages aux Indes orientales et a la Chine. fait par ordre du Roi depuis 1774 jusqu en 1781: dans lequel on traite des moeurs, de la religion, des sciences & des arts des Indiens, des Chinois, des Pegouins & des Madegasses (...). Paris: chez l auteur: chez Froule: chez Nyon... 1782

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19592000

© Artokoloro

1782 Chez Froulé Chez Lauteur Chez Nyon Dans Lequel De La Religion Des Chinois Des Pégouins Des Madégasses Des Sciences Des Arts Des Indiens Exit Jean Baptiste Marie La Chine P Sonnerat Pinx Pierre Pierre M Poisson Poisson Sc Signed Sonnerat Traite Des Moeurs Vol 1 Voyages Aux Indes Orientales Gari

EDITORS COMMENTS
This print from the Liszt Collection showcases a unique mode of transportation known as the Gari Indian Gari. The image depicts a partially roofed vehicle being pulled by two strong oxen, creating an intriguing sight that transports us back in time. The Gari Indian Gari was commonly used as an exit vehicle during its era, providing people with a means to travel and explore their surroundings. Its design is both practical and rustic, reflecting the ingenuity of its creators. The artist's signature, P. Sonnerat pinx, adds an authentic touch to this historical piece. Accompanied by Poisson sc's meticulous craftsmanship on Plate 7 of Volume 1 (p. 32), this print is part of Pierre M. Sonnerat's remarkable work titled "Voyages aux Indes orientales et à la Chine". Published in 1782 under the patronage of King Louis XVI, this comprehensive account delves into various aspects such as customs, religion, sciences, and arts practiced by Indians, Chinese people, Pegouins (Burmese), and Madegasses (Malagasy). As we gaze upon this fascinating image captured centuries ago in Paris by Sonnerat himself for his esteemed publication chez l'auteur: chez Froule: chez Nyon. . . , we are transported to a different time and place where cultures collided and discoveries were made.

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