good write again first time Fudehajimeyoshi title

Wall Art and Photo Gifts from Liszt Collection

good write again first time Fudehajimeyoshi title

It is good to write again for the first time Fudehajimeyoshi (title on object) A series for the Hanazono poetry association (series title) Hanazono bantsuzuki (series title on object), A woman with a brush first calligraphy involves writing the new year. The first writing of the new year was an important event, people usually wrote it for long life (kotobuki). With three poems. The prints from this series are in line with the belief that the first activities of the new year were extra special. The red cartouche on the prints refers to almanacs in which it was indicated which activities could or could not be undertaken on certain days by people born in a certain year, calligraphy, Totoya Hokkei (mentioned on object), Japan, c. 1822, paper, colour woodcut, h 203 mm × w 176 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19543804

© Artokoloro

1822 Activities Almanacs Belief Calligraphy Certain Days Certain Year Colour Woodcut Extra Special First Activities Good Hanazono Bantsuzuki Hanazono Poetry Association Line New Year People Born Prints Refers Red Cartouche Series Title Three Poems Title Totoya Hokkei Undertaken Long Life Mentioned

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EDITORS COMMENTS
This print titled "Good Write Again for the First Time Fudehajimeyoshi" captures a significant moment in Japanese culture. The image showcases a woman delicately holding a brush, engaged in the art of calligraphy to commemorate the new year. In Japan, the first writing of the new year was considered an important event, symbolizing good fortune and longevity. The print belongs to a series created for the Hanazono Poetry Association, known as "Hanazono Bantsuzuki". These prints align with the belief that activities performed at the beginning of the year held special significance. A notable feature on these prints is the red cartouche, reminiscent of almanacs that guided people born in specific years regarding auspicious or inauspicious activities. Created by Totoya Hokkei around 1822 using color woodcut techniques on paper, this artwork measures approximately 203 mm high and 176 mm wide. It beautifully encapsulates traditional Japanese aesthetics while showcasing Hokkei's mastery in capturing delicate details. The Liszt Collection proudly houses this remarkable piece but does not engage in commercial use. Through this photograph, viewers can appreciate both its artistic value and cultural importance within Japanese society during that period.

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