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Jean-Michel Moreau after Jean-Baptiste Greuze (French, 1741 - 1814), La philosophie

Jean-Michel Moreau after Jean-Baptiste Greuze (French, 1741 - 1814), La philosophie


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Jean-Michel Moreau after Jean-Baptiste Greuze (French, 1741 - 1814), La philosophie

Jean-Michel Moreau after Jean-Baptiste Greuze (French, 1741 - 1814), La philosophie endormie, 1778, etching

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12903273

© Quint Lox Limited

1741 1778 1814 Greuze Jean Baptiste Greuze Jean Michel Jean Michel Moreau Moreau Endormie Philosophie


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EDITORS COMMENTS
In this photo print, Quint Lox beautifully captures the essence of "La philosophie endormie" by Jean-Michel Moreau after Jean-Baptiste Greuze. The original etching, created in 1778, showcases the remarkable talent of these French artists from the 18th century. The image transports us to a serene and contemplative scene where philosophy takes center stage. A young woman is depicted in deep slumber, her face peaceful and relaxed. It is as if she has been lost in profound thoughts before succumbing to sleep's embrace. Her delicate features are meticulously rendered through the intricate lines of Moreau's etching technique. Greuze's influence can be seen in the careful attention to detail and emotional depth portrayed in this artwork. The artist was known for his ability to capture human emotions with great sensitivity, and here we witness his mastery once again. Quint Lox skillfully translates this timeless masterpiece into a stunning print that allows us to appreciate every nuance and subtlety of the original work. Through expert composition and lighting, Lox brings out the ethereal quality of "La philosophie" inviting viewers to reflect on their own philosophical musings. This print serves as a testament to both historical artistic achievements and contemporary creative vision. It is an exquisite addition to any art lover's collection, offering a glimpse into centuries past while remaining relevant in its beauty today.

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