Julia Margaret Cameron (British, 1815 - 1879), William Holman Hunt, 1864, albumen

Wall Art and Photo Gifts from Liszt Collection

Julia Margaret Cameron (British, 1815 - 1879), William Holman Hunt, 1864, albumen

Julia Margaret Cameron (British, 1815 - 1879), William Holman Hunt, 1864, albumen print from a wet collodion negative

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12887781

© Quint Lox Limited

1815 1864 1879 Albumen Cameron Collodion Hunt Julia Julia Margaret Cameron Margaret Negative William Holman

FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Julia Margaret Cameron

> Arts > Artists > H > William Holman Hunt

EDITORS COMMENTS
This print captures the essence of renowned British artist, Julia Margaret Cameron's talent. Taken in 1864, the image showcases a striking portrait of William Holman Hunt, another prominent figure in the art world during that era. The albumen print from a wet collodion negative technique used by Cameron adds depth and texture to this remarkable piece. Cameron was known for her pioneering work in photography and her ability to capture the soul and emotions of her subjects. In this particular photograph, she skillfully portrays Hunt's intense gaze and contemplative expression, revealing his inner thoughts and artistic spirit. The use of albumen as a printing medium further enhances the richness and tonal range of this image. It lends an ethereal quality to Hunt's features while highlighting intricate details such as his tousled hair and rugged beard. Quint Lox has masterfully preserved this historical gem from the Liszt Collection, allowing us to appreciate Cameron's exceptional talent even today. Through this photo print, we are transported back in time to witness a moment frozen forever - one where two influential artists collide through their shared passion for creativity. As we admire Julia Margaret Cameron's timeless work alongside William Holman Hunt's enigmatic presence captured within it, we are reminded of their lasting impact on British art history.

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