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Lazio Roma Rome Ariccia S. Maria di Galloro Italy
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Lazio Roma Rome Ariccia S. Maria di Galloro Italy
Lazio Roma Ariccia S. Maria di Galloro, this is my Italy, the italian country of visual history, Post-medieval Architecture, architectural sculpture, painting, crucifix, stucco ceiling decoration, marble and mosaic altar frontal. This church is a latin cross in plan with a cupola, started in 1624 and enlarged in 1661 with a facade designed by Bernini. The main altar, also believed to be a design of Bernini s, contains a painting of the Madonna and Child with a frame of gilded metal rays. In lateral chapels, paintings of S. Tommaso of Villanova by G. Gimignani 1663 and of S. Francis of Sales by Borgognone 1663
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18709232
© Liszt Collection
1624 1661 Ariccias Maria Di Galloro Believed Bernini Borgognone 1663 Crucifix Cupola Designed Enlarged Frame Gilded Metal Rays Gimignani 1663 Lateral Chapels Latin Cross Main Altar Marble Mosaic Altar Frontal Plan S Francis S Tommaso Sales Started Stucco Ceiling Decoration Villanova
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EDITORS COMMENTS
This print showcases the breathtaking beauty of S. Maria di Galloro, a church located in Ariccia, Italy. Steeped in rich history and architectural grandeur, this Italian gem is a testament to the country's visual heritage. The church's post-medieval architecture is truly awe-inspiring, with its intricate sculptural details and stunning paintings adorning every corner. The crucifix hanging from the stucco ceiling decoration adds an air of reverence to the space. One cannot help but be mesmerized by the marble and mosaic altar frontal that takes center stage within this Latin cross-shaped church. Its origins can be traced back to 1624 when construction began, and it was further enhanced in 1661 with a facade designed by none other than Bernini himself. The main altar holds a painting of the Madonna and Child encased within an exquisite frame adorned with gilded metal rays. It is believed that Bernini also had a hand in designing this masterpiece. As you explore the lateral chapels, you will discover more artistic treasures such as G. Gimignani's depiction of S. Tommaso of Villanova from 1663 and Borgognone's portrayal of S. Francis of Sales from the same year. Immerse yourself in Italy's cultural legacy through this remarkable print capturing Lazio Roma Ariccia S. Maria di Galloro—a true testament to Italy's rich artistic heritage.
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