De Oorlog Oorloghe title object Part Misuse Prosperity series
Wall Art and Photo Gifts from Liszt Collection
De Oorlog Oorloghe title object Part Misuse Prosperity series
De Oorlog Oorloghe (title on object), Part of the Misuse of Prosperity series, but printed here as an independent show, without frame and text. Personification of the war. A woman seen from the front, the head and profile to the right. A helmet on the head, a sword in the right hand and a burning torch in the left. She is in military uniform and has a coat of arms, on which a weapon with two eagles. Symbols, allegories of war, Guerra (Ripa), Cornelis Anthonisz. (mentioned on object), Nederlanden, 1546, paper, h 226 mm × w 133 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19538062
© Artokoloro
1546 Allegories Arms Burning Torch Coat Frame Front Helmet Independent Military Uniform Nederlanden Personification Printed Profile Right Hand Ripa Sword Symbols Text Title Two Eagles Weapon Guerra Mentioned Misuse
EDITORS COMMENTS
This print from the Liszt Collection showcases a powerful artwork titled "De Oorlog Oorloghe" as part of the Misuse of Prosperity series. However, in this particular presentation, it stands independently without any frame or accompanying text. The image portrays a personification of war in the form of a woman facing forward, with her head and profile turned to the right. The woman is adorned in military uniform, wearing a helmet on her head and holding a sword firmly in her right hand. In her left hand, she carries a burning torch symbolizing destruction and chaos. Her attire includes a coat of arms featuring an emblem depicting two eagles clutching onto a weapon. This artwork by Cornelis Anthonisz. , dating back to 1546 in Nederlanden, explores various symbols and allegories associated with war. It offers viewers an opportunity to reflect upon the devastating consequences that arise from conflicts. Displayed here as an independent showpiece within this photo print, "De Oorlog Oorloghe" captivates attention through its intricate details and thought-provoking imagery. The absence of framing or accompanying text allows viewers to interpret and engage with this personification of war on their own terms
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