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Portrait of a Woman, traditionally identified as the Countess of Arundel A Lady Called

Portrait of a Woman, traditionally identified as the Countess of Arundel A Lady Called


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Liszt Collection

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Portrait of a Woman, traditionally identified as the Countess of Arundel A Lady Called

Portrait of a Woman, traditionally identified as the Countess of Arundel A Lady Called the Countess of Arundel Inscribed in artists hand in yellow paint, lower left: " Countess of Arundel" Signed and dated in black paint, lower right: " Cornelius Johnson | fecit 1619", Cornelius Johnson, 1593-1661, British

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12648913

© Quint Lox Limited

1593 1619 1661 Arundel Called Collar Cornelius Costume Countess Dated Earrings Fecit Hand Identified Inscribed Jacobean Johnson Lace Lady Lower Oil On Panel Oval Signed Swallow Traditionally White Yellow Cornelius Johnson Tondo


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EDITORS COMMENTS
This portrait, titled "Portrait of a Woman, traditionally identified as the Countess of Arundel" transports us back to the Jacobean era with its exquisite details and elegant composition. Painted by Cornelius Johnson in 1619, this oil on panel artwork showcases his remarkable skill in capturing the essence and beauty of his subjects. The woman depicted is believed to be the Countess of Arundel, although her true identity remains uncertain. Dressed in a stunning red and white costume adorned with intricate lace and gold accents, she exudes grace and sophistication. Her oval-shaped face is framed by a delicate collar that accentuates her regal stature. Johnson's meticulous attention to detail is evident in every brushstroke. From the subtle play of light on her skin to the intricate rendering of her earrings, no aspect has been overlooked. The artist's signature can be found on the lower right corner along with the date 1619, adding historical significance to this masterpiece. The tondo format adds an interesting twist to this portrait; it takes on a circular shape reminiscent of ancient Roman art forms. A swallow bird perched atop one shoulder adds an element of symbolism or personal meaning that invites interpretation. Whether you are captivated by its historical context or simply drawn to its aesthetic allure, this print from Liszt Collection offers a glimpse into an intriguing period in British history through Cornelius Johnson's masterful brushwork.

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