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Sheet 4 Anteiqvae vrbis imago accvratissime ex

Sheet 4 Anteiqvae vrbis imago accvratissime ex


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Liszt Collection

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Sheet 4 Anteiqvae vrbis imago accvratissime ex

Sheet 4, Anteiqvae vrbis imago accvratissime ex vetvsteis monvmenteis formata, Bossius, Antonius, 16th cent. Ligorio, Pirro, ca. 1510-1583, Engraving, 15--?, The 12 constituent sheets have been joined in pairs with a vertical overlap to form 6 sheets, each measuring 52 x 76 cm. and hinged in at the centerfold. If arranged in 3 horizontal rows of 2 each, the 6 double sheets would form an impression ca. 130 x 144 cm.: aerial view of Rome, 16th century. Relief shown pictorially; oriented with east at top

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18508065

© Liszt Collection

Aerial View Antonius Arranged East Form Hinged Joined Ligorio Oriented Pairs Pirro Rows Sheets 16th Cent Imago


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> Aerial Photography > Related Images

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
This print showcases "Sheet 4 Anteiqvae vrbis imago accvratissime ex vetvsteis monvmenteis formata" by Antonius Bossius and Pirro Ligorio, dating back to the 16th century. The engraving depicts an aerial view of Rome during this historical period, providing a unique perspective on the city's layout and architecture. Measuring 52 x 76 cm, this particular sheet is part of a larger collection consisting of twelve constituent sheets that have been joined in pairs with a vertical overlap to form six double sheets. When arranged in three horizontal rows of two each, these impressive prints create an overall impression measuring approximately 130 x 144 cm. The relief shown in this image is pictorially represented, allowing viewers to appreciate the intricate details and features of ancient Rome. The orientation places east at the top, offering a comprehensive view from above. While it's important not to mention commercial use or any specific company associated with this print from the Liszt Collection, one cannot deny its artistic value and historical significance. This piece serves as a window into the past, transporting us back to the splendor and grandeur of Rome during the Renaissance era.

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