Standing Saint (recto), Studies of Christ at the Column, a Nude

Wall Art and Photo Gifts from Liszt Collection

Standing Saint (recto), Studies of Christ at the Column, a Nude

Standing Saint (recto), Studies of Christ at the Column, a Nude from Behind, and Various Figures (verso); Filippino Lippi, Italian, about 1457 - 1504; Italy, Europe; about 1482; Metalpoint, heightened with white gouache, on gray prepared paper (recto and verso); 27.1 x 17.5 cm (10 11/16 x 6 7/8 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12656591

© Quint Lox Limited

1457 1482 1504 Behind Column Figures Filippino Filippino Lippi Gouache Heightened Lippi Metalpoint Nude Saint Studies Various White

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EDITORS COMMENTS
This print from the Liszt Collection showcases a remarkable artwork by Filippino Lippi, an Italian artist renowned for his exquisite craftsmanship. The image captures the intricate details of "Standing Saint (recto), Studies of Christ at the Column, a Nude from Behind, and Various Figures (verso)" created around 1482. In this composition, Lippi skillfully employs metalpoint technique heightened with white gouache on gray prepared paper to bring forth a mesmerizing visual narrative. The recto presents us with a majestic standing saint while also offering studies of Christ at the column and a nude figure seen from behind. On the verso side, various figures are depicted in their unique postures and expressions. The artistry displayed in this piece is truly awe-inspiring. Each stroke of metalpoint delicately etches out intricate lines that convey depth and texture. The subtle use of white gouache adds luminosity to certain areas, enhancing the overall ethereal quality of the work. Lippi's attention to detail is evident as he meticulously portrays each figure with precision and grace. Through his masterful technique, he invites viewers into an intimate exploration of religious themes intertwined with human form. This print allows us to appreciate Lippi's artistic genius up close and personal. It serves as a testament to his enduring legacy within Italian Renaissance art history while providing an opportunity for contemplation and admiration for centuries-old craftsmanship that continues to captivate audiences today.

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