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Tako no asirai, Octopus treading. Kobayashi, Kiyochika, 1847-1915, artist, 1904
Wall Art and Photo Gifts from Liszt Collection
Tako no asirai, Octopus treading. Kobayashi, Kiyochika, 1847-1915, artist, 1904
Tako no asirai, Octopus treading. Kobayashi, Kiyochika, 1847-1915, artist, 1904. 1 print : woodcut, color; 36.9 x 24.9 cm. Print shows a Japanese officer sitting on the head of an octopus which has captured ships disguised as fish in its tentacles
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12669553
© Quint Lox Limited
1847 1915 1904 Captured Disguised Fish Kiyochika Kobayashi Officer Ships Shows Sitting Octopus Tako Tentacles Treading
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In this woodcut print titled "Tako no asirai, Octopus treading" created by the talented Japanese artist Kobayashi Kiyochika in 1904, we are transported into a mesmerizing world of myth and symbolism. The artwork measures 36.9 x 24.9 cm and features a scene that is both intriguing and thought-provoking. At first glance, we see a powerful Japanese officer calmly seated on the head of an enormous octopus. This creature's tentacles stretch out menacingly, revealing its true nature as it captures ships disguised as fish within its grasp. The vibrant colors used in this woodcut bring life to the composition, enhancing the tension between man and beast. Kobayashi Kiyochika skillfully combines elements from folklore with his own artistic vision to create a striking image that speaks volumes about power dynamics and hidden dangers lurking beneath seemingly innocent facades. Through his masterful technique, he invites viewers to contemplate themes such as deception, control, and the delicate balance between humans and nature. This particular print from the Liszt Collection showcases Kiyochika's ability to capture attention through intricate details while leaving room for interpretation. Quint Lox has curated this piece with great care to ensure its preservation for future generations to appreciate its historical significance and artistic brilliance.
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