Toilet toilet Interior woman dresses up front
Wall Art and Photo Gifts from Liszt Collection
Toilet toilet Interior woman dresses up front
The Toilet, The toilet. Interior in which a woman dresses up in front of a mirror. A girl hangs a pearl necklace around her neck. On the left a standing mirror. On the right a chair by a table on which jewelry is displayed. In the background on the right a woman looks out of a window. Above the doorway a grisaille with putti and triumph carriage, making toilet, dressing oneself, getting dressed - a - female human figure, pearl, pearl necklace, maid, house personnel, Jan Lodewijk Jonxis, 1830 - 1850, panel, oil paint (paint), h 56.5 cm × w 45.5 cm × t 1.2 cm d 7.6 cm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19557658
© Artokoloro
EDITORS COMMENTS
This print from the Liszt Collection captures a moment of intimate reflection in a lavishly decorated toilet interior. The focal point is a woman, elegantly dressed, standing before a mirror as she adorns herself with a delicate pearl necklace. Her image is reflected in the standing mirror on the left, creating an enchanting play of reflections. The opulence of the scene is further enhanced by the presence of a chair and table adorned with exquisite jewelry. A sense of anticipation fills the air as this mysterious woman prepares herself for an unknown occasion or perhaps simply revels in her own beauty. In the background, we catch glimpse of another woman peering out through a window, adding an element of voyeurism to this private moment. Above the doorway hangs a grisaille painting depicting putti and triumph carriage, symbolizing themes related to dressing oneself and personal transformation. Painted between 1830-1850 by Jan Lodewijk Jonxis, this panel exudes timeless elegance and attention to detail. The use of oil paint brings depth and richness to every brushstroke. As we gaze upon this mesmerizing artwork, we are transported into an era where indulgence met self-expression. It serves as both an homage to female beauty and an invitation for us to reflect upon our own rituals of adornment and self-care.
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