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Washi myAcjin, Year of the cook: Washi MyAcjin Shrine. Yajima, Gogaku, active 19th century

Washi myAcjin, Year of the cook: Washi MyAcjin Shrine. Yajima, Gogaku, active 19th century


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Liszt Collection

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Washi myAcjin, Year of the cook: Washi MyAcjin Shrine. Yajima, Gogaku, active 19th century

Washi myAcjin, Year of the cook: Washi MyAcjin Shrine. Yajima, Gogaku, active 19th century, artist, [between 1818 and 1830], 1 print : woodcut, color; 21.3 x 18.8 cm. Print shows a woman, full-length, standing a young man holding a rake with slips of paper attached as a portable shrine or possibly prayer offerings to Buddha; page patterned with blossoms

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12669069

© Quint Lox Limited

1818 1830 19th Attached Blossoms Buddha Century Cook Gogaku Holding Offerings Page Patterned Portable Possibly Prayer Rake Shows Shrine Yajima Year Young Myojin Slips Washi


EDITORS COMMENTS
This woodcut print, titled "Washi MyAcjin, Year of the Cook: Washi MyAcjin Shrine" was created by the talented artist Yajima Gogaku in the 19th century. Measuring 21.3 x 18.8 cm, this colorful artwork depicts a full-length woman standing beside a young man who holds a rake adorned with slips of paper. These papers are either portable shrines or prayer offerings to Buddha. The composition is further enhanced by the intricate page pattern featuring delicate blossoms, adding an element of beauty and tranquility to the scene. The artist's attention to detail is evident in every brushstroke, capturing both the physical features and emotional essence of his subjects. Yajima Gogaku's work reflects his mastery of woodcut technique and his ability to convey depth and emotion through color. The vibrant hues used in this piece bring life to each character and evoke a sense of spirituality. As we gaze upon this remarkable print from between 1818 and 1830, we are transported back in time to witness a moment frozen forever on paper. It invites us to contemplate the significance of these prayer offerings and their connection to Washi MyAcjin Shrine. Quint Lox has expertly captured the essence of this extraordinary artwork from Liszt Collection with his caption, allowing us to appreciate its historical value while also acknowledging its artistic brilliance beyond any commercial use.

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