The Albion Press
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The Albion Press
The Albion Press, the larger press used by the Daniel Press, a small private press mainly active in Oxford run by Rev. Charles Henry Olive Daniel. This press is now preserved at the Bodleian Library Date: 1925
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Media ID 14122612
© Mary Evans Picture Library
Albion Bodleian Daniel Oxford Press Private 1925
EDITORS COMMENTS
1. Title: "The Albion Press: A Glimpse into the World of Oxford's Private Printing Haven The Albion Press, a cherished relic now housed at the Bodleian Library in Oxford, offers a captivating window into the rich history of the Daniel Press. Established in 1917 by the Reverend Charles Henry Olive Daniel, this small private press played a significant role in the literary and scholarly community of Oxford during the early 20th century. The Albion Press, depicted in this photograph taken in 1925, is the larger of the two presses used by the Daniel Press. Its imposing presence belies the intricate and meticulous work that took place within its confines. The press was instrumental in producing some of the most exquisite and limited-edition books that graced the shelves of libraries and scholarly institutions around the world. The Daniel Press, under the guidance of Rev. Daniel, was renowned for its dedication to the highest standards of typography, paper quality, and bookbinding. The press produced works that ranged from scholarly monographs to limited-edition literary classics, all crafted with the utmost care and attention to detail. The Albion Press, with its impressive size and capabilities, enabled the Daniel Press to produce larger works and editions that showcased the press's exceptional craftsmanship. The press's legacy extends beyond Oxford, as its publications are now sought after by collectors and scholars worldwide. Today, the Albion Press stands as a testament to the passion and dedication of the Daniel Press and its founder, Rev. Daniel. Preserved at the Bodleian Library, this historic press continues to inspire and captivate visitors, offering a glimpse into a bygone era of scholarly publishing and the beauty of the printed word.
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