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Bartholomeus van der Helst (1613-1670). Self-portrait as Dai

Bartholomeus van der Helst (1613-1670). Self-portrait as Dai


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Bartholomeus van der Helst (1613-1670). Self-portrait as Dai

Bartholomeus van der Helst (1613-1670). Dutch portrait painter. Self-portrait as Daifilo, 1660. National Gallery. Prague. Czech Republic

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Media ID 14338288

© Thaliastock / Mary Evans

1660 Baroque Bartholomeus Helst Netherlands Self Portrait Shepherd Daifilo


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> Arts > Art Movements > Baroque

> Arts > Contemporary art > Modern art > Portraits

> Arts > Contemporary art > Portraits > Modern art

> Arts > Modern art pieces

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Modern art

> Europe > Czech Republic > Heritage Sites > Historic Centre of Prague

> Europe > Czech Republic > Paintings

> Europe > Czech Republic > Prague

> Europe > Netherlands > Paintings


EDITORS COMMENTS
Bartholomeus van der Helst's Self-portrait as Daifilo, painted in 1660, is a captivating work of art that showcases the Dutch portrait painter's exceptional skill and creativity. This self-portrait, now housed in the National Gallery in Prague, Czech Republic, represents a significant departure from the traditional depictions of the artist in formal attire. Instead, Van der Helst chose to portray himself as a shepherd, adopting the persona of Daifilo, a character from the pastoral tradition popular during the Baroque period. The painting is a testament to Van der Helst's mastery of light and color. The artist skillfully employs chiaroscuro, creating a striking contrast between the bright sunlight that illuminates Daifilo's face and the deep shadows that envelop the rest of the image. The rich, earthy tones of the shepherd's clothing and the lush greenery in the background further enhance the painting's visual appeal. The self-portrait as Daifilo also reflects Van der Helst's interest in the classical world and the pastoral tradition. The shepherd's pipe and the idyllic landscape in the background are reminiscent of the works of ancient Roman poets and painters. Moreover, the painting can be seen as a commentary on the role of the artist in society. By assuming the guise of a shepherd, Van der Helst may have been alluding to the idea that artists are the guardians of knowledge and beauty, much like shepherds who tend to their flocks and preserve the harmony of nature. In summary, Bartholomeus van der Helst's Self-portrait as Daifilo is a captivating work of art that showcases the artist's exceptional skill and creativity. Through this self-portrait, Van der Helst explores the pastoral tradition, classical themes, and the role of the artist in society, resulting in a visually stunning and intellectually thought-provoking painting.

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