Brothers by Herbert Ashton, Jr Brothers by Herbert Ashton, J

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Brothers by Herbert Ashton, Jr Brothers by Herbert Ashton, J

Brothers by Herbert Ashton, Jr. Poster for Federal Theatre Project presentation of Brothers at the Mason Opera House, showing two raised fists. Date 1938

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Media ID 7337904

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Administration Ashton Brothers Herbert Progress

EDITORS COMMENTS
by Herbert Ashton, Jr.: A Powerful Poster for the Federal Theatre Project's Production at the Mason Opera House This striking poster, created by Herbert Ashton, Jr. in 1938, announces the presentation of "Brothers" at the Mason Opera House as part of the Federal Theatre Project. The poster's bold design captures the essence of the play and the progressive spirit of the WPA's theatrical initiatives. At the center of the poster, two raised fists dominate the composition, symbolizing unity, strength, and solidarity. The fists are surrounded by a dynamic, swirling pattern, suggesting the turbulent emotions and raw energy of the play. The title, "Brothers," is boldly emblazoned across the top, while the subtitle, "A Play in Three Acts by Archibald MacLeish," appears below. The Federal Theatre Project, a New Deal program established in 1935, aimed to make live theatre accessible to all Americans, regardless of their socio-economic backgrounds. The project produced and presented plays across the country, often tackling controversial and socially relevant themes. "Brothers," a play in three acts by Archibald MacLeish, was one of the many productions mounted by the Federal Theatre Project during this period. Herbert Ashton, Jr.'s poster for "Brothers" is a testament to the power of graphic design to convey the essence of a theatrical production. The bold use of color, dynamic composition, and evocative symbolism all work together to capture the attention of potential audience members and generate excitement for the show. Today, this poster remains an important artifact of the Federal Theatre Project and a powerful reminder of the transformative power of live theatre.

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