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Cela ne se dit pas mais cela se devine

Cela ne se dit pas mais cela se devine


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Cela ne se dit pas mais cela se devine

Cela ne se dit pas mais cela se devine. Print shows an aristocratic-looking couple in a street or courtyard. The woman is standing, facing front, next to a wall, urinating beneath her dress. She holds the hat, umbrella, and walking stick (emblems of nobility) belonging to the man who is squatting behind her and whom she attempts to shield by holding her apron out to one side. The man has a grimace on his face, his trousers are bunched at his knees, and he holds a piece of paper with which to wipe himself after defecating. Date 1790

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 7277957

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10602344

Mais Cela Devine


Cela ne se dit pas mais cela se devine

EDITORS COMMENTS
(It is not said but it is hinted) is an intriguing title for this thought-provoking 18th century print. The image captures a moment of intimate indiscretion between an aristocratic couple, a scene that was likely kept hidden from public view. The woman, elegantly dressed and poised, stands next to a stone wall, her back to the viewer. She attempts to maintain her composure and dignity, shielding herself from prying eyes with her apron, while her husband, identified by his emblems of nobility - a hat, umbrella, and walking stick - squats behind her, relieving himself. His grimace reveals the discomfort of the situation, while his trousers are bunched at his knees and he holds a piece of paper to wipe himself. The title of the print alludes to the unspoken nature of the scene, suggesting a taboo or forbidden subject matter. The juxtaposition of the couple's aristocratic appearance and the raw, human act taking place is both amusing and intriguing. The print offers a glimpse into the private lives of the wealthy elite, revealing that even they were not immune to the natural functions of the body. The print, dated 1790, is a fascinating window into the past, offering a glimpse into the complexities and contradictions of 18th century society. It challenges our assumptions about the aristocracy and invites us to consider the ways in which the public and private spheres intersected in this era. The image is a reminder that even the most seemingly untouchable figures were subject to the same human needs and desires as the rest of us.

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