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The Count of Luxembourg adapted by Basil Hood

The Count of Luxembourg adapted by Basil Hood


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The Count of Luxembourg adapted by Basil Hood

The Count of Luxembourg adapted by Basil Hood. The staircase is in Grand Duke Rutzinovs reception hall. (Act II). Naturally, Adele and the impoverished Count fall in love, and eventually realise that they are already married. See Dear Love for another example of this silly plotline. Touring to the New Theatre in Aberdare, on 3rd February 1913. The illustration is signed Barribal. William Henry Barribal ) was a well known and accomplished London artist. Date: 1913

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Media ID 14412992

© The Michael Diamond Collection / Mary Evans Picture Library

Aberdare Barribal Basil Count Dancers Dances Gentleman Hood Luxembourg Spinning Staircase Trim Turning


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> Europe > United Kingdom > England > London > Art > Dance

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > Wales > Mid Glamorgan > Aberdare

> Popular Themes > Dance


EDITORS COMMENTS
This print, signed by the renowned London artist William Henry Barribal, depicts a scene from Basil Hood's adaptation of The Count of Luxembourg, performed at the New Theatre in Aberdare on 3rd February 1913. In this image, taken from Act II, we find ourselves in the grand reception hall of Grand Duke Rutzinov, where the impoverished Count, enthralled by the beautiful Adele, begins to descend the ornate staircase. Their eyes meet, and the spark of an unexpected love connection ignites between them. However, as the story unfolds, they come to the shocking realization that they are already married. This delightful plotline, reminiscent of the popular tale Dear Love, was a common theme in early 20th-century theatre. The elegant dancers and dapper gentlemen in the background add to the opulence and allure of this moment. Barribal's masterful use of color and detail brings this enchanting scene to life, transporting us back in time to the world of grand dukes, countesses, and unexpected romance.

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