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Ernest of Bavaria

Ernest of Bavaria


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Ernest of Bavaria

Ernest of Bavaria (1554 1612), Prince-elector-archbishop of the Archbishopric of Cologne from 1583 to 1612 as successor of the expelled Gebhard Truchsess von Waldburg. He was also bishop of Munster, Hildesheim, Freising and Liege. Date: 1584

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Media ID 14147714

© Mary Evans Picture Library

Archbishop Bavaria Bishop Cologne Ernest Hildesheim Minster Archbishopric Freising


EDITORS COMMENTS
This striking portrait captures Ernest of Bavaria (1554-1612), a prominent figure in the complex web of European politics and religion during the late 16th century. Ernest is depicted in regal attire, signifying his multiple ecclesiastical roles as Prince-elector-archbishop of the Archbishopric of Cologne, bishop of Munster, Hildesheim, Freising, and Liege. The Archbishopric of Cologne was a significant position, as it was one of the seven secular electorates in the Holy Roman Empire, granting its holder considerable influence. Ernest's tenure began in 1583, following the expulsion of Gebhard Truchsess von Waldburg. Born into the powerful Wittelsbach dynasty of Bavaria, Ernest brought a unique blend of political and religious authority to his new role. His election was a strategic move by the Holy Roman Emperor Rudolf II, who aimed to strengthen the Catholic Church's position in the face of the Protestant Reformation. The portrait's date, 1584, marks a pivotal moment in Ernest's career. He was only 29 years old at the time, yet he was already embarking on a path that would see him navigate the intricacies of European power dynamics for the next three decades. The image serves as a testament to Ernest's youthful determination and the weighty responsibilities that came with his ecclesiastical titles. The historical significance of this portrait extends beyond Ernest's personal story. It offers a glimpse into the complexities of the late 16th-century European political landscape, where religious and secular powers intertwined, and the balance of influence shifted constantly. The portrait also highlights the visual language of power and authority, with Ernest's regal attire and confident posture conveying the weight of his ecclesiastical roles and the political influence that came with them.

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