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PERUGINO, Pietro Vannucci, called Il (1448-1523)

PERUGINO, Pietro Vannucci, called Il (1448-1523)


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PERUGINO, Pietro Vannucci, called Il (1448-1523)

PERUGINO, Pietro Vannucci, called Il (1448-1523). The Dead Christ. end 15th c.-1523. Renaissance art. Quattrocento. Oil on wood. ITALY. Perugia. Galleria Nazionale dell Umbria (National Gallery of Umbria)

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Media ID 8279357

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Called Christ Dead Galleria Gallery Nazionale Perugia Perugino Pietro Quattrocento Renaissance Umbria 15th Vannucci


EDITORS COMMENTS
This stunning oil on wood painting, titled "The Dead Christ," is a masterpiece by the renowned Italian artist Pietro Vannucci, known as Perugino (1448-1523). Created during the end of the 15th century in Perugia, Italy, this artwork is a prime example of the Quattrocento period in Renaissance art. Perugino's "The Dead Christ" is a horizontal composition that showcases the artist's exceptional skill in using color and light to create a sense of depth and realism. The lifeless body of Christ lies on a funerary bed, surrounded by mourning figures and angels. The somber mood is heightened by the muted colors and the use of chiaroscuro, a technique that creates contrast between light and dark areas, adding volume and texture to the figures. The National Gallery of Umbria in Perugia, Italy, is the proud owner of this magnificent work of art. The interior of the gallery provides an ideal setting for appreciating the intricate details and the subtle nuances of Perugino's masterpiece. The painting's rich history and artistic significance make it a must-see for anyone interested in the development of Renaissance art and the works of Perugino. Pietro Vannucci, a native of Perugia, was a leading figure in the Umbrian school of painting during the High Renaissance. His works are characterized by their serene and harmonious compositions, as well as their innovative use of perspective and color. "The Dead Christ" is a testament to his artistic genius and his ability to capture the essence of human emotion and spirituality in his art.

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