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Frontal of Tordesillas. Gothic. 15th century. Detail

Frontal of Tordesillas. Gothic. 15th century. Detail


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Frontal of Tordesillas. Gothic. 15th century. Detail

Frontal of Tordesillas. Gothic painting in tempera on wood. 15th century. From the Convent of Saint Clare, Tordesillas, Valladolid province. Detail. Diocesan Museum of Barcelona. Spain

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Media ID 14330389

© Thaliastock / Mary Evans

Armour Armoured Barcelona Castile Catalonia Clare Convent Diocesan Frontal Horseman Knight Leon Shield Tempera Valladolid 15th Clarisses Tordesillas


EDITORS COMMENTS
This exquisite detail from the Frontal of Tordesillas, a 15th century Gothic painting in tempera on wood, showcases the intricate artistry and religious devotion of the medieval period. Hailing from the Convent of Saint Clare in Tordesillas, Valladolid province, Castile and Leon, Spain, this masterpiece is now housed in the Diocesan Museum of Barcelona. The scene depicts a horseman in full armor, his determined gaze fixed on the viewer, as he presents a shield adorned with the emblem of the Clarisses order. At the heart of this composition lies a reverent representation of the Virgin Mary, her serene expression a beacon of faith and hope. The Frontal of Tordesillas is a testament to the rich artistic heritage of Spain during the Middle Ages. The meticulous attention to detail, from the intricate patterns on the knight's armor to the delicate rendering of Mary's robe, speaks to the skill and dedication of the artist. The horse, a common motif in medieval art, adds a sense of power and grandeur to the composition. The knight, with his armored body and steed, represents the strength and courage of the faithful soldier, while Mary, the embodiment of grace and purity, symbolizes the spiritual ideals of the time. This detail offers a glimpse into the interior world of the Convent of Saint Clare, a place where the religious fervor of the Middle Ages was nurtured and celebrated. The Frontal of Tordesillas stands as a reminder of the enduring influence of the Gothic style on European art and the profound impact of religious beliefs on the artistic expression of the past.

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