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Gerard Wigmana
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Gerard Wigmana
GERARD WIGMANA - Dutch artist styling himself the Raphael of Friesland but meeting no success at home went to England where, also, he failed to find admirers of his art. Date: 1673 - 1741
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Media ID 14109002
© Mary Evans Picture Library
1673 1741 Admirers Failed Find Friesland Gerard Meeting Raphael Styling Success
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EDITORS COMMENTS
1. Title: "Gerard Wigmana: The Unheralded Dutch Artist Seeking Recognition in Friesland and England, 1673-1741". Gerard Wigmana (1673-1741), a Dutch artist with ambitious aspirations, styled himself as the "Raphael of Friesland," reflecting his deep admiration for the Italian master. Born in a region known for its rich artistic heritage, Wigmana harbored dreams of achieving great success within the Friesland art scene. However, his artistic vision did not resonate with the local audience, leaving him feeling disillusioned and undervalued. In search of recognition, Wigmana embarked on a journey to England, hoping to find admirers of his work in a foreign land. Armed with a portfolio of his masterpieces, he arrived in England during a period of cultural exchange and artistic innovation. Despite his best efforts, Wigmana's work failed to gain traction among the English art community. The reasons for his lack of success remain unclear; perhaps his style was too traditional for the evolving tastes of the English audience, or perhaps his marketing efforts were insufficient. Regardless, Wigmana's story serves as a poignant reminder of the challenges faced by artists in their quest for recognition. His determination to pursue his artistic vision, despite the setbacks and disappointments, is a testament to the resilience and perseverance of the human spirit. This photograph, a portrait of Gerard Wigmana, captures the enigmatic and introspective nature of the artist, who, though unheralded in his own time, continues to intrigue art historians and enthusiasts today. [Image Description: A photograph of Gerard Wigmana, a Dutch artist, sitting at a table with a quill pen in hand, deep in thought. He is dressed in the attire of the 17th century, with a serious expression on his face. The background is dimly lit, with a window revealing a landscape beyond.]
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