The Glad Eye by Jose G Levy
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The Glad Eye by Jose G Levy
Promotional postcard for The Glad Eye by Jose G. Levy from Le Zebre by Armont and Nancy. First produced at the Pier Theatre, Brighton on 4th September 1911 and the Globe Theatre, 4th November 1911.The Farcical Comedy Success Now Running At The Apollo Theatre, where it was transferred on 26th November 1911. Artist: Cecil Quinnell. This image is for Louis Meyers Co. touring to the Grand Theatre, Croydon, 19th February 1912. Date: 1912
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14250649
© The Michael Diamond Collection / Mary Evans Picture Library
Cecil Comedies Comedy Farce Farcical Glad Jose Panto Pantomime Promotional Quinnell Meyers
EDITORS COMMENTS
Step right up and feast your eyes on this delightful promotional postcard for the popular farcical comedy, "The Glad Eye" by Jose G. Levy, featuring the captivating illustration by Cecil Quinnell. This image was produced for the Louis Meyers Co. tour, which brought the production to the Grand Theatre in Croydon on 19th February 1912. Originally premiered at the Pier Theatre in Brighton on 4th September 1911 and later gracing the stages of the Globe Theatre on 4th November 1911, "The Glad Eye" quickly became a theatrical sensation and was transferred to the Apollo Theatre on 26th November 1911. Quinnell's charming artwork showcases the comedic spirit of the play, with an array of colorful hats adorning the heads of the actors, reflecting the whimsical nature of the pantomime-inspired farce. The comedic antics of the cast, as depicted in this image, promise an evening of popular entertainment filled with laughter and merriment. As the tour continued to captivate audiences across the country, this postcard served as an invitation to experience the joy and excitement of "The Glad Eye" firsthand. The enduring appeal of this classic comedy continues to resonate with audiences today, making this historical postcard not only a fascinating glimpse into the past but also a testament to the timeless nature of theatrical farce.
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