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Happy Hours by Muriel Dawson

Happy Hours by Muriel Dawson


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Happy Hours by Muriel Dawson

Happy Hours by Muriel Dawson -- a little girl sits reading. Date: 1943

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14124886

© The Muriel Dawson Collection/Mary Evans Picture Library

1943 Dawson Ginger Hours Learning Muriel January


EDITORS COMMENTS
Happy Hours: A Young Girl's Escape into the World of Books, 1943 by Muriel Dawson In the quiet and simple image of "Happy Hours" by Muriel Dawson, we are transported back to January 1943, during the heart of the 1940s. The scene presents a young girl, perhaps around six or seven years old, engrossed in the pages of a book. Her fiery red curls cascade down her shoulders, framing her focused face as she sits cross-legged on a worn, wooden floor. The room around her is dimly lit, with a single window letting in the soft glow of the afternoon sun. The girl's attire is modest and practical, reflecting the wartime era. She wears a long-sleeved blouse and a pleated, knee-length skirt, her feet bare on the cool, wooden floor. In her hands, she holds a small, worn book, its pages yellowed with age. The books surrounding her on the floor and the shelves suggest an extensive collection, a testament to her love for reading and learning. The title "Happy Hours" speaks to the joy and contentment that this young girl finds in her escape into the world of books. During these uncertain times, the simple pleasure of reading offers a sense of comfort, knowledge, and adventure. The image captures the essence of childhood, the importance of education, and the power of literature to transport us to other worlds. Muriel Dawson's "Happy Hours" is a poignant reminder of the enduring value of books and the joy they bring, especially during challenging times. This photograph is not only a historical snapshot of a bygone era but also a celebration of the power of imagination and the importance of nurturing a child's love for learning.

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