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Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮
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Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮
Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮 Convent of Saint Anthony. Colonial baroque. Oil on canvas
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Media ID 8279023
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10685065
Anthony Baroque Brasil Brazil Brazilian Brazilians Convent Day Light Recife Sun Light Olinda Paran
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EDITORS COMMENTS
Iguaraíde: A Triangular Connection of Igarassu, Olinda, and Recife in Colonial Brazil, 1729 This evocative oil on canvas painting, titled 'Iguaraíde' (Igarassu, Olinda and Recife. 1729. BRAZIL. Iguaraíde; Convent of Saint Anthony), captures a significant moment in the history of Brazil's colonial past. The image showcases the picturesque exteriors of the Convent of Saint Anthony in Olinda, the bustling port city of Recife, and the tranquil village of Igarassu, bathed in the warm, golden light of a Brazilian day. The painting, a testament to the colonial Baroque style, transports us back to the 18th century, where the three settlements stood as integral parts of the Brazilian landscape. The Convent of Saint Anthony, with its intricate facade and ornate details, stands proudly in Olinda, a city known for its rich cultural heritage and vibrant history. The port city of Recife, with its bustling markets and diverse population, is a hub of commerce and trade, while the quaint village of Igarassu, nestled between the rivers Paraná and Capibaribe, offers a serene contrast to the urban chaos. The warm, inviting colors of the painting, the play of sunlight on the buildings, and the meticulous attention to detail all contribute to a captivating representation of colonial Brazil. The painting, a masterpiece of Brazilian art, offers a glimpse into the past, allowing us to appreciate the beauty and complexity of the country's rich history.
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