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Islamic. Abbasid period. Stucco. Vine leaves. 836-880. Samar
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Islamic. Abbasid period. Stucco. Vine leaves. 836-880. Samar
Islamic art. Abbasid period. Stucco. Vine leaves. 836-880. From Samarra, Iraq. Victoria and Albert Museum. London. England. United Kingdom
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Media ID 14337823
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Abbasid Caliphate Grapevines Iraq Islamic Near Render Samarra Stucco Vine Vitis Albert
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EDITORS COMMENTS
This exquisite stucco panel, dating from the Abbasid period of the Islamic Caliphate between 836 and 880 AD, showcases the intricate and sophisticated artistry of the Near East during the medieval ages. Originating from the ancient city of Samarra in present-day Iraq, this masterpiece is now proudly housed in the Victoria and Albert Museum in London, England. The United Kingdom. The Abbasid Caliphate is renowned for its significant contributions to Islamic art, and this stucco panel is a testament to the period's artistic achievements. The intricate design features the delicate and flowing forms of vine leaves, reminiscent of the grapevines known as "Vitis" in Latin. The leaves are rendered in high relief, creating a three-dimensional effect that adds depth and texture to the piece. The stucco technique, which involves applying a mixture of water, lime, and sand to create a smooth, plaster-like surface, was a popular medium during the Abbasid period. The use of stucco allowed artists to create intricate and detailed designs that could be applied to various surfaces, including walls, ceilings, and architectural elements. The vine motif is a common theme in Islamic art, representing the concept of eternal life and the abundance of God's blessings. The delicate and sinuous forms of the leaves are rendered with great precision and care, demonstrating the high level of skill and craftsmanship of the artist. This stucco panel is not only a beautiful work of art but also a valuable historical artifact, providing insight into the artistic traditions and cultural achievements of the Abbasid Caliphate in the Near East during the medieval ages. The Victoria and Albert Museum's acquisition of this piece is a testament to the institution's commitment to preserving and showcasing the rich and diverse artistic heritage of the world.
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