James Robinson Planche
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James Robinson Planche
JAMES ROBINSON PLANCHE Herald and playwright Date: 1796 - 1880
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Media ID 14101726
© Mary Evans Picture Library
1796 Herald Playwright Robinson Planche
EDITORS COMMENTS
1. Title: "James Robinson Planche: A Pioneering Figure in Victorian Theatre and Journalism" James Robinson Planche (1796-1880) was a prolific English journalist, playwright, and literary critic, whose contributions to Victorian literature and theatre left an indelible mark on the cultural landscape of the 19th century. This evocative portrait captures the intellectual intensity and theatrical flair of this remarkable figure. Born on March 23, 1796, in London, Planche began his career as a journalist, writing for various publications, including the influential "Morning Chronicle." He later became the editor of "The Englishman," a position he held from 1832 to 1855. During his tenure, he transformed the publication into a leading literary and theatrical review, attracting an impressive roster of contributors, including Charles Dickens and Wilkie Collins. Planche's passion for the theatre extended beyond journalism. He authored numerous plays, many of which were produced at the Covent Garden Theatre. His most successful works include "The Clandestine Marriage" (1835) and "The School for Scandal" (1833), a modern adaptation of the classic Restoration comedy. This photograph, taken during Planche's later years, reveals a man of great intellect and refinement. The serious expression on his face and the piercing gaze of his eyes suggest a man deeply engaged with the world around him. The folds of his coat and the intricacies of his cravat speak to the elegance and sophistication of the Victorian era. Planche's legacy endures, not only in the numerous plays he wrote but also in the countless journalists and critics who have been inspired by his groundbreaking work in the field of literary and theatrical criticism. This image serves as a poignant reminder of a man who, through his words and his vision, shaped the cultural discourse of his time and left an indelible mark on the history of English literature and theatre.
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