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La Mome Moineau in La Grande Revue Femmes et Sport
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La Mome Moineau in La Grande Revue Femmes et Sport
La Mome Moineau in La Grande Revue Femmes et Sport, Palace Theatre, Paris, 1927 Date: 1927
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14142187
© Mary Evans / Jazz Age Club Collection
Femmes Grande Nightlife Revue Showgirls 1927 Cabaret
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EDITORS COMMENTS
La Mome Moineau" (The Little Sparrow) was a nickname given to the legendary French singer and actress, Édith Piaf, who graced the stage of the Palace Theatre in Paris during the 1920s. In this photograph from La Grande Revue Femmes et Sport, Édith Piaf is seen performing at the Palace Theatre in 1927, during the height of her jazz age fame. The image captures the essence of the era, with its vibrant energy and the allure of Parisian nightlife. Édith Piaf, born in 1915, rose to prominence in the Parisian cabaret scene during the 1930s and 1940s. Her unique voice and emotional performances captured the hearts of audiences, making her one of the most beloved and iconic figures of French music history. This photograph, taken during her time at the Palace Theatre, showcases her charisma and stage presence as she captivates the audience with her music. The Palace Theatre, located in the heart of Paris, was a popular venue for cabaret shows and revues during the 1920s. The theatre was known for its lively and provocative performances, attracting a diverse and sophisticated crowd. La Grande Revue Femmes et Sport was one of the most popular shows at the Palace Theatre during this time, featuring a mix of music, dance, and comedy acts. This photograph is a fascinating glimpse into the past, offering a glimpse into the vibrant and exciting world of Parisian nightlife during the jazz age. Édith Piaf's enduring legacy as a French cultural icon continues to inspire and captivate audiences around the world, making this photograph a valuable historical document and a testament to the power of live performance.
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