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Lady Lavery - A Self-Portrait

Lady Lavery - A Self-Portrait


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Lady Lavery - A Self-Portrait

Hazel, Lady Lavery (1886 - 1935), formerly Hazel Martyn and second wife of the celebrated portrait Sir John Lavery who painted her portrait hundreds of times. A renowned beauty, she was also a talented artist in her own right a this self-portrait, entitled, The Lilac Muslin proves. The accompanying text in The Sketch magazine mentions that she had been ill for a long time. She died on 1 January 1935, less than four months after this portrait was published. Date: 1934

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Media ID 14383090

© Illustrated London News Ltd/Mary Evans

Haired Hazel Lavery Lilac Mar16 Martyn Muse Painter Purple Redhead


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EDITORS COMMENTS
Lady Lavery: A Self-Portrait of Hazel Martyn, a Renowned Beauty and Talented Artist (1934) This self-portrait, entitled "The Lilac Muslin," features Hazel Martyn, Lady Lavery, a celebrated figure in early 20th-century society. Known for her striking red hair and undeniable beauty, Lady Lavery was not only a muse and wife to the renowned portrait painter, Sir John Lavery, but also an accomplished artist in her own right. In this self-portrait, Lady Lavery showcases her artistic prowess, capturing the essence of her femininity and allure. The soft, ethereal hues of lilac and purple envelop her, creating an air of mystery and intrigue. The delicate fabric of her muslin blouse adds to the overall sense of elegance and refinement. The accompanying text in The Sketch magazine reveals that Lady Lavery had been ill for an extended period before her untimely death on 1 January 1935, less than four months after this portrait was published. Her passing came as a shock to the art world, leaving behind a legacy of beauty and talent that continues to inspire and captivate audiences today. Lady Lavery's self-portrait serves as a testament to her artistic abilities and her enduring allure. As a muse and subject for her husband's portraits, as well as a talented artist in her own right, she left an indelible mark on the art world. This self-portrait, with its timeless beauty and hauntingly beautiful composition, remains a poignant reminder of her life and her contributions to the world of art.

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